As-new copy of the First American Edition in an unclipped dust jacket, signed and hand-dated “1992” by the author in ink on the front free end paper….
…handsome hardcover volumes with sewn bindings and ribbon markers, printed on a premium acid-free lightweight opaque paper that exceeds the requirements for permanence set by the American National Standards Institute….
This is a very good copy of the First American edition in price-clipped dust jacket. Discreet owner’s label on front free endpaper, blind stamp on title page, small tear at…
This is a very good copy of the dust jacketed Signed Limited First Edition, number 6 of 1,000 copies, numbered on the colophon page and signed on the front free…
A virtually mint copy of the First American edition, in an unclipped dust jacket, boldly signed by the author in black marker on the front free endpaper.
A very good copy, without dust jacket. There is a lengthy ink gift inscription, dated “Paris 1954,” on front free endpaper….
This is a very good copy of the First French Edition. Front free endpaper has been largely excised.
…handsome hardcover volumes with sewn bindings and ribbon markers, printed on a premium acid-free lightweight opaque paper that exceeds the requirements for permanence set by the American National Standards Institute….
…the First American edition in a price-clipped dust jacket. There is a dated gift inscription to a previous owner written in black ink on the front free endpaper; contents fine….
This is a very good copy of the First American edition, in an unclipped dust jacket. There is a gift inscription written in blue ballpoint pen on the front free…
…There is dated gift inscription written in red ink and a brief obituary for the artist, clipped from a newspaper, tipped onto the front free endpaper. The contents are fine….
…handsome hardcover volumes with sewn bindings and ribbon markers, printed on a premium acid-free lightweight opaque paper that exceeds the requirements for permanence set by the American National Standards Institute….